{"id":2760,"date":"2017-08-07T05:41:27","date_gmt":"2017-08-07T05:41:27","guid":{"rendered":"http:\/\/course.oeru.org\/art101\/?page_id=2760"},"modified":"2017-08-07T05:41:27","modified_gmt":"2017-08-07T05:41:27","slug":"introduction","status":"publish","type":"page","link":"https:\/\/course.oeru.org\/art101\/learning-pathways\/the-visual-language-artistic-principles\/introduction\/","title":{"rendered":"Introduction"},"content":{"rendered":"
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Visual art, by its nature, has many manifestations through media, ideas, themes and sheer creative imagination. Yet all of these rely on basic structural principles that, like the elements we\u2019ve been studying, combine to give voice to artistic expression. Incorporating the principles into your artistic vocabulary not only allows you to objectively describe artworks you may not understand, but contributes in the search for their meaning. The organizing principles<\/b> are the means by which the elements in a work are arranged. The principles are based on sensory responses to visual input: elements appear<\/b> to have visual weight, movement, etc. The principles help govern what might occur when particular elements are arranged in a particular way. Using a chemistry analogy, the principles are the ways the elements \u201cstick together\u201d to make a \u201cchemical\u201d (in our case, an image). Principles can be confusing.\n<\/p>\n

There are at least two very different but correct ways of thinking about principles. On the one hand, a principle can be used to describe an operational cause and effect such as “bright things come forward and dull things recede”. On the other hand, a principle can describe a high quality standard to strive for such as “unity is better than chaos” or “variation beats boredom” in a painting. So, the same word, “principle” can be used for very different purposes.The first way to think about a principle is that it is something that can be repeatedly and dependably done with elements to produce some sort of visual effect in a composition.\n<\/p>\n

Another way to think about a principle is that it is a way to express a value judgment about a composition. Any list of these effects may not be comprehensive, but there are some that are more commonly used (unity, balance, etc). When we say a painting has unity we are making a value judgment. Too much unity<\/i> without variety<\/i> is boring and too much variation<\/i> without unity<\/i> is chaotic. The principles of design help you to carefully plan and organize the elements of art so that you will hold interest and command attention. This is sometimes referred to as visual impact<\/b>.\n<\/p>\n

In any work of art there is a thought process for the arrangement and use of the elements of design. The artist who works with the principles of good composition will create a more interesting piece of art; it will be arranged to show a pleasing rhythm and movement. The center of interest will be strong and the viewers will not look away, instead, they will be drawn into the work. A good knowledge of composition is essential in producing good artwork. Some artists today like to bend or ignore these rules and therefore are experimenting with different forms of expression.\n<\/p>\n

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