{"id":2762,"date":"2017-08-07T05:41:53","date_gmt":"2017-08-07T05:41:53","guid":{"rendered":"http:\/\/course.oeru.org\/art101\/?page_id=2762"},"modified":"2017-08-07T05:41:53","modified_gmt":"2017-08-07T05:41:53","slug":"visual-balance","status":"publish","type":"page","link":"https:\/\/course.oeru.org\/art101\/learning-pathways\/the-visual-language-artistic-principles\/visual-balance\/","title":{"rendered":"Visual balance"},"content":{"rendered":"
\n
\n
\n
\n
\n
\n
\n\t
\n\t\t
\n\t\t\t\"objectives\"\n\t\t<\/div>\n\t\t
\n\t\t\t

Introduction<\/h2>\n\t\t<\/div>\n\t<\/div>\n\t
\n\t\t
\n\t\t\t<\/p>\n

All works of art possess some form of visual balance \u2013 a sense of weighted clarity created in a composition. The artist arranges balance to set the dynamics of a composition. A really good example is in the work<\/a> of Piet Mondrian, whose revolutionary paintings of the early 20th century used non-objective balance instead of realistic subject matter to generate the visual power in his work.
\n<\/p>\n

\n
\"\"<\/a> <\/p>\n
The three basic forms of visual balance<\/div>\n<\/div>\n<\/div>\n

There are three basic forms of visual balance: <\/p>\n